Remembering Bill and Penny Condry (Part one)

Bill and Penny in the 1950’s (photographer unknown)

Friday’s memorial service for Penny Condry was a sombre occasion. It took place in the beautifully restored chapel – Y Tabernacl – part of the Museum of Modern Art in Machynlleth. To my surprise, it took the form of a Quaker meeting, where attenders sat in silence. Over a period of an hour, individuals rose to read short prepared pieces about Penny, or spoke spontaneously of their memories or feelings about her – many being close to tears, including myself. The silence between each contribution allowed everyone present to process the memories that the speakers had evoked, even if they themselves did not speak.

Penny was 102 years old when she died last month. I had known her since the 1980’s when I first visited her husband Bill, who was the warden of the RSPB’s reserve at Ynyshir, between Machynlleth and Aberystwyth. He was also a writer of some renown, about whom I will say more later. I’m not going to pretend that I was close to the Condrys at that time. My memories of Penny on those first visits are limited to her being someone who brought forth pots of tea and home-made cakes. She had devoted her life to supporting him in his career as teacher, author and pioneer in the field of conservation. She had been there while the environmental issues in Wales of the day were being discussed by Bill and his friends, wildlife enthusiasts all. I was then able to sit in the same rather gracious sitting room where these discussions had taken place. In their personal lives, Bill and Penny had put their green ideals into practice long before it became commonplace to do so. But Penny was not a woman who enjoyed the limelight.

That did change somewhat after Bill died in 1998. He had written a “Country Diary” for the Guardian every fortnight for over forty years. I came up with the idea of selecting some of these pieces and combining each one with one of my own photographs, and my publisher (Bill’s also) liked the idea. This could never have gone ahead without Penny’s approval and she gave it without hesitation. This proved to be the beginning of a closer relationship, which probably deepened when I wrote in my introduction to the book that I had been more affected by Bill’s life and death than my own father’s. I sometimes wondered if she saw me as the son that she had never had. She missed Bill deeply and would often talk about him on my visits, sometimes as if he was still there. She recalled the nitty gritty of the world of conservation in Wales which Bill never talked about in his books. How I wish I had been able to record those conversations for posterity, because all those insights will now be lost forever. Bill himself wrote that “the story of my unadventurous life would not be of the slightest interest to anybody…” How wrong he was.

Penny was not one to bother herself with trivia. She loved her garden, was very knowledgeable about natural history, and genuinely interested in other people. Her opening gambit was often “How are you ???” and it felt like she really wanted and needed to know. Another was “Are you happy???” or “Is Jane happy???” referring to my partner in later years. At the memorial others spoke of her becoming a Quaker and her dedication to the Merched y Wawr (Women’s Institute) in her local village of Eglwysfach. As her health slowly deteriorated she became increasingly anxious. She wondered how long she would be able to survive on her own in a rambling and isolated house at the end of a half mile long track. But she had some very good friends who kept an eye on her and did the heavy lifting in the garden. Arthur Chater, for many years the botanical recorder for Ceredigion, and lifelong friend of the Condrys, took her shopping on market day in Machynlleth every week. I sometimes met them there.

Inevitably the time came when she became too frail to live on her own. She moved into a nursing home near Aberystwyth, but it didn’t suit her. It was never likely to suit someone so much of whose life was spent outdoors. I visited her there a few times and she told me she hoped death would soon come and take her away. But there was one final surprise in store. During the decades I had known them neither Bill nor Penny had let me take their photograph. They were both camera-shy but particularly Penny. (I can identify with them in that respect……) On the wall of her room was a framed portrait of both of them taken many years ago. I showed an interest in it and out of the blue Penny just gave it to me! This was very thoughtful but, on reflection, I thought she might regret it. So I re-photographed it, processed it and returned it. It’s the photograph at the top of this post. I shall treasure it for the rest of my life.

There’s just one more thing. In Penny’s time the role of most women was to support their husbands, and she did this very effectively, allowing Bill to fully reach his potential. But I can’t help wondering what Penny might have become had she been born, say, fifty years later, by which time women were encouraged and expected to have lives and careers of their own. She certainly had the potential to go far.

I will talk about more about Bill in Part two..

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Who’s a pretty boy, then?

Pied flycatcher - Ynyshir
Pied flycatcher – Ynyshir

Sitting staring out of my window at sullen grey cloud and the branches of the ash tree in the garden whipping backwards and forwards, it is difficult to recall the delightful conditions we experienced during April.

In this part of the world the last week in April is a critical one for photographing small woodland birds. Most of the migrants will have arrived but the leaves are not fully open, meaning that those birds are still visible. During several visits to Ynyshir RSPB reserve during late April there’s no doubt that the most prominent of those attractive summer visitors was the pied flycatcher. I spent many hours with two males which were both energetically defending small territories around their chosen nest-boxes. For hour after hour they flew from bare twig to bare twig and uttered their simple sweet song. When you see the determination with which they do this it is worth remembering that each bird had probably completed its journey from Africa only a day or two – or possibly just hours – previously. And not only that, but it is quite likely to have been the same nest box they had used last year. By the time of my last visit one bird had attracted a female – again possibly his mate from last year – and they were visiting the box together. Who knows what they got up to in there! (discussing the colour scheme, I should think…..). By that time he was also noticeably less inclined to sing.

Who's a pretty boy, then.......
Who’s a pretty boy, then…….

One bird was easily visible from the Ynyshir hide, which in theory should have made photography easier. But a constant stream of other human visitors to the hide was a distraction for both bird and photographer. How dare they! The other bird was quite approachable out in the open. Over a period of a couple of days altogether I came back with hundreds of pied flycatcher images, many almost identical, and it has been quite an ordeal processing and sifting through them. It was easy to pick out one classic bird portrait, but as far as “pied flycatcher in the landscape” goes I still haven’t come up with an absolute favourite. The birds’ surroundings were usually a jumble of oak twigs and branches, some in focus and some out, with a few leaves, but little regular structure. In any event I plan eventually to show three images together so (in theory) that should make life a little easier when the time comes to make final decisions.

As far as the technicalities were concerned modern equipment makes bird photography SO much easier. At 1000 ASA (equivalent) I was getting lovely clean results with my Canon 5d3, and any noise is easily removed in Lightroom.  Such high sensitivities  allow fast shutter speeds to be used, with lower risk of subject movement or camera shake. Thanks once more to the 5d3 it has been possible to crop down quite deeply into an image to obtain a pleasing composition.  My lens is the new Tamron 150-600 zoom. The Canon version was released several months ago and I was lucky to get hold of one of the first batch. It has received generally favourable reviews – with the proviso that there may be “issues” when focusing on moving subjects, and particularly with older bodies. I can’t comment on that but in general I’m very pleased with the results. The results are certainly sharper and more consistent than the Canon 100-400/1.4x TC combination that I was previously using. As always a black and white bird presents contrast problems in strong sunshine so slightly subdued lighting was helpful

The other birds I had hoped to photograph were redstart and wood warbler. The former was present but difficult to get to grips with; I’ve never found Ynyshir to be the best of places to connect with this species. The latter just hadn’t arrived by the end of the month. Oddly, if one left the reserve and went a short distance inland several wood warblers were holding forth in tall beech trees on the side of the Einion valley. They were impossible to photograph, however, so I wonder if the Ynyshir birds are back yet. And I wonder if this awful weather will relent for a while before I leave for the Camargue on Tuesday?