Some thoughts on the Cwm Dyli pipeline.

Snowdon and Cwm Dyli, showing the pipeline
Snowdon and Cwm Dyli, showing the pipeline

The weather has been almost unremittingly cloudy for the past few weeks but there was one exceptional day recently. A cold front had slowly moved southwards overnight and then stalled, leaving the north Wales peaks beneath blue skies in sparkling sunshine, while further south Aberystwyth remained amid the gloom. In the expectation of a good day I travelled up the previous evening and spent the night in my camper van by the shores of Llyn Dinas, near Beddgelert.

It wasn’t a terribly promising start to the day. There was still a veil of cirrus covering large areas of the sky and enough breeze to prevent a reflection in the waters of the lake. But gradually the clearance came and by mid-morning I had clambered high up on a crag above the layby overlooking Llyn Gwynant. Most visitors to north Wales will know it …… everybody stops there and takes a snap. The light was fabulous by that time and one image taken there will be suitable for a postcard at some stage.

A little higher up the valley there is a roadside viewpoint to the summit of Snowdon constructed at some expense by the National Park Authority. It would be a spectacular natural landscape if the Cwm Dyli pipeline had never been built, but it was, and I have always passed it by. But on this occasion wisps of cloud were extending westwards from the summit of Crib Goch and passing above and below Yr Wyddfa itself. Despite the pipeline I couldn’t miss this opportunity.

Thomas Pennant describes “a very fine cataract” at “the upper end of this romantic valley, Nanthwynant” in the account of his visit in 1770. Now there is also a pipeline. It was built in 1905/6 to carry water from Llyn Llydaw, beneath Yr Wyddfa, to the then new hydro-electric power station at the head of Nant Gwynant. This was the first of its type in the UK,  built primarily to supply power to the slate quarries at Blaenau Ffestiniog,  five miles away over the hills. Despite the demise of the slate industry, the power station – by now a listed building – was re-equipped in 1990 and the pipeline renewed. There was a campaign to have it buried but in spite of the spectacular location at the very heart of the National Park, it was unsuccessful.  One cannot help but believe that if the pipeline had been proposed more recently, it would never have got planning permission.

So what does the landscape photographer do? As I had done for many years,  drive on by. But not on such a day as this……. A continual stream of cars was arriving and departing the car park so I climbed up the hillside on the opposite side of the road. As I gained height, the landscape opened up, revealing, unfortunately, another length of  pipeline. Most of the landscape action was in the top half of the frame, and I knew that I would be cropping  the image at the bottom to remove the main section of pipeline. The big dilemma would come later, at the processing stage, when I had to decide whether or not to remove the upper section digitally. I spent a while on the hillside, taking a selection of images with different cloud formations. Then the wind direction changed and the wisps of cloud began to move eastwards from Crib Goch, away from Yr Wyddfa, and the magic was gone. It was time to leave.

Actually, I’m pretty hardline about cloning landscape images. In my opinion landscape images have documentary as well as artistic value. Unless an extraneous item is present only temporarily, it stays. So a crisp packet, a post van or a walker in a red cagoule can go, but a telegraph pole or an electricity pylon stays…….. or a pipeline. There are always going to be grey areas, but it really is stretching the distinction to breaking point to claim, as some people do, that any of the three latter features are also “only temporary.” . When it comes down to removing whole landscape features such as these (or adding them….) in order to make an image more superficially “attractive” it creates a false picture of our surroundings. And as far as I’m concerned, that matters.  For more on image manipulation, see this post.

So I thought I would post the above image online and seek out comments, particularly with reference to the pipeline. It  started a discussion about the pipeline, why it was there and what it was for. The photograph’s documentary element tells us all sorts of things about the landscape and how much we respect it. I was also expecting a barrage of “clone it out” suggestions, but in fact there was only one, and a big majority for “leave it in”, despite the fact that in some ways it spoils the picture.  There was quite a consensus and I must admit that I was relieved. The rise and rise of the cloning tool has not gone as far as I thought it had done.

Just out of interest I thought I’d add an uncropped version of the image which shows the course of the pipeline. I find it disruptive even though it is largely hidden in deep shadow.

Cwm Dyli - uncropped
Cwm Dyli – uncropped

 

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Bah, humbug……or buy now while stocks last!

Fridge magnets - a new venture.......
Fridge magnets – a new venture…….

I  try not to think about Christmas until the middle of December if at all possible. I’m normally the one wearing the Homer Simpson “Bah Humbug” Christmas hat in a dashing shade of black……..

But this year I have a stand at the Winter Fair at Aberystwyth Arts Centre and it opened last Friday, so I’ve been obliged to think ahead. I’m selling the following  –

1. A3 prints in 20×16 inch mounts @ £39.50.
2. 7×5 inch prints in 10×8 inch mounts @ £12.50.
3. Photo-mugs @ £9.50.
4. A small range of photo-magnets @£2.50 or 5 for £10.00.

The latter is a bit of a departure for me. I’ve spoken to a couple of other photographers who recommended that I should try them. There’s a decent profit margin on them (if you buy sensibly) and they take up very little space. They’re popular with retailers too. So I’ve taken the plunge with my first batch and we will see how they go.

The Winter Fair started brilliantly for me, in fact. I spent a couple of hours setting up on Thursday afternoon and during that time sold four prints!

The Winter Fair is at Aberystwyth Arts Centre until Christmas and opens Monday-Saturday 10 am > 8 pm and Sunday 12 noon > 5.30 pm. Buy now while stocks last!