More on Wales at Waters Edge…..

Beach detail, Anglesey, from Wales at Waters Edge
Beach detail, Anglesey, from Wales at Waters Edge

Last autumn I was contacted by a writer and photographer called Charles Hawes who was in the process of walking the Wales Coastal Path, and blogging about his experiences. He had seen my most recent book – Wales at Waters Edge – and was planning to review it. Would I allow him to use some of the photographs? Under copyright legislation the use of photographs for review purposes is permissible without the copyright holder’s agreement. However, as the book had been published two and a half years earlier, I did have doubts in my mind about the validity of a review. Did the reviewer really just want some nice photographs free of charge to pad out his blog? I took a look at the blog. He had also reviewed Peter Watson’s photographic book  on the Welsh Coast (published about  a year before my own), and, quite frankly, it is unlikely that Hawes would be on Watson’s Christmas card list!

I had an interesting exchange of emails with Charles Hawes. While I largely shared his opinion of Watson’s book, I felt that it was unusual, to say the least, to put such a critical review into the public domain. I suspected that my own book might come in for similar treatment, and if that might be the case, why should I allow him the benefit of using the photographs? In the end, he suggested a compromise; he would allow me the right to a reply, which he would then publish verbatim on his blog. Having by that time seen a copy of the review, I felt that – on balance – this was a solution I could live with.

I think it would be fair to say that the review was mixed. Walking the entire coastal path, Charles Hawes has probably seen more of the Welsh coastline than I did. But quantity is not necessarily more valid than quality. He has only only visited one Welsh island, Anglesey, which one could argue is hardly an island at all.  As a result, he’s missed out on some of our most special places, many of which I have had the pleasure of visiting.  On some occasions he enjoys the wildlife that he encounters, but in general his attention is far more frequently drawn to the towns, villages and man-made structures he comes across. So there was a very clear disconnect between the two of us in this respect and it is not surprising that we see the coastline so differently. What I don’t accept is his opinion that the photographs almost completely avoided its built-up aspect.

Charles has kindly allowed me to add a link to his blog (below) for those of you who would like to further explore the content of the book, and the interesting difference of opinion that it has spawned. Following on from the review you will find my response, and some further comments from his readers. In particular, close to the end is a post from “John” (December 18th) with a further link to his own review of Wales at Waters Edge, which is rather more favourable than the original!

NB. Both reviewers are critical of the text by Jon Gower, and I would like to make it clear that I don’t agree with them………

Click here for Charles Hawes blog 

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Hawfinches in a Welsh churchyard

Hawfinch on yew.
Hawfinch on yew.

On a Friday afternoon recently I was on my way to a 5 p.m. appointment with a customer when I encountered a traffic hold-up in a mid-Wales town.  I soon realised there was no chance of making the appointment so I phoned up to re-arrange it. It took 55 minutes altogether to get through the bottleneck (a set of three-way traffic lights at some roadworks already abandoned for the weekend!) so I had plenty of opportunity to reassess the rest of my day. Would the evening be an opportunity for some landscape photography as I had originally planned? And, if so, where …….. ?

Another interesting possibility suddenly entered my consciousness. Some ten years ago I had been told that hawfinches could be seen at a particular churchyard during June. It wasn’t that far away! It might be worth a shot. Half an hour later I was there.

At first the churchyard was ominously quiet. Then a stocky bird flew behind a yew tree and disappeared. Hmmmm…..what was that? Before long a series of these apparently random bird movements began to build into a picture. And then a hawfinch perched for a few seconds on top of one of the yews. The churchyard was heaving with them! Well, I’m exaggerating, but these birds are so rarely seen, let alone photographed, and I felt that with patience I might have a chance to do the latter. Long after the sun had vanished behind cloud a hawfinch perched right out in the open on a gravestone.

The next morning one was present when I arrived about 7.30 a.m.; it flew immediately, landing briefly in a cherry tree (where I photographed it) before joining a group of others a few hundred yards away. It was to be my last opportunity for several hours. I searched for a position where I could observe as many of the yew trees as possible, eventually settling (literally) on a tomb by the main door of the church. Single hawfinches came and went, disappearing low into the yews, or dropping in from the top. A bird would fly behind a yew and not reappear from the other side. Birds flew behind the church. They flew into a sparsely-leaved holly tree and disappeared. It was as if they were wearing an invisibility cloak. On the odd occasion when a bird did perch out in the open it was silhouetted against an excessively bright sky. The sun was still behind the dark foliage of the yew trees so metering was difficult and a correct exposure virtually impossible. I tried to estimate an optimum exposure and use manual metering but that didn’t help. It wasn’t going too well.

More of the same followed during the afternoon. At one point a party of four (presumably a family) appeared from nowhere, flew a few yards above my head and went who knows where. I did manage to identify their redwing- or robin- like song/call but these were so high-pitched as to be almost “not there”. Enigmatic really is the best adjective to describe the hawfinch. To pass the time between their visits I photographed other species – house sparrow and jackdaw – images which, apart from their lack of rarity value, I prefer to those of the hawfinches that I did eventually manage.

Meanwhile passers by came and went. I felt rather self-conscious with my paparazzi-style lens. One young woman asked me what I was doing and I told her I was trying to photograph some unusual birds. What birds were they? “Hawfinches” I said. “Are they like magpies?” she asked….. Later she walked through without speaking and I got the feeling she had decided that the strange man lurking around the churchyard was up to no good. If you had a suspicious mind, read the wrong sort of newspaper, and knew nothing about birds, it would be easy to believe I was taking the ****. Hawfinches indeed……..

As the hours passed the sun gradually swung around to the west and sank lower in the sky. The light was getting better! There was a flurry of hawfinch activity during the evening and I managed the most successful images of the day. Phew! It had been worth the wait!

A case of mistaken identity

The Upper Rheidol Valley, Ceredigion
The Upper Rheidol Valley, Ceredigion

On my way back from a trip to the Teifi Marshes, just in Pembrokeshire, at the weekend, I stopped off at a National Trust property near Aberaeron where I spent some time photographing wild daffodils and snowdrops on the river bank.

At lunch time I bought myself a sandwich at the riverside cafe . Two men sitting at a table caught my eye. I know you, one said, you’re Jeremy Moore, aren’t you? “Erm….yes…..but I’m sorry I don’t recognise you…..” Ah, we both know who you are but you don’t know either of us!” That’s right, I said, somewhat bemused. “It’s the great Jeremy Moore,” the man said, “I’ve got two of your books!”  This was quite a surprise, but not an unwelcome one, as I had been feeling in need of a little boost to my self-esteem. His tongue was so far in his cheek, I suspected, that I was surprised I could understand a word he was saying.

Then he introduced himself. His name was John and he was an anti-windfarm campaigner. He reminded me that he had accosted me in an Aberystwyth cafe one day and been critical of my pro-windfarm stance. For my part I remembered the episode and how annoyed I had been. On Sunday he suggested that I must have changed my mind on the subject of windfarms but in fact I haven’t; I’ve never felt comfortable about wind turbines in the landscape but they don’t send me in to paroxisms of indignation every time one comes into view. We all use electricity. Wind turbines remind us of the uncomfortable fact that it has to come from somewhere, and we don’t like it.

About ten years ago I had an exhibition at MOMA Wales, a lovely little gallery in Machynlleth, Powys. The subject matter was a small area of land high up in the Rheidol valley – ‘wild Wales’ if ever it existed anywhere. The Battle of Hyddgen had taken place there over six hundred years ago. During my research for the exhibition I came across a poem by the great Welsh priest/poet R.S. Thomas, who had felt the weight of the ages while in this place. With the permission of his son, I reproduced the poem and framed it alongside the images in the exhibition. Shortly afterwards the hilltops surrounding Hyddgen had been proposed for a windfarm, the biggest in Wales.

John had taken a group of anti’s up to Hyddgen and recited the poem, which he believed I had written. So not only, in his estimation,  was I a notable anti-windfarm personality but was also poet of great wisdom and insight! No wonder he thought I must have changed my mind.

For the record, the windfarm has not yet been built, partly thanks to a concerted campaign by the anti’s. There is more doubt now than ever that the thing will go ahead, but if it does, we will be able to see part of it from our house. But if I were ever able to bounce a grandchild on my knee and answer the question “Grandad, what did you do about climate change?” I wouldn’t like to have to say “I campaigned against wind turbines in the Welsh hills”.

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Wild Wales / Cymru Wyllt 2013 calendar

Wild Wales / Cymru Wyllt 2013 calendar (front cover)
Wild Wales 2013 calendar (back cover)

Just a little plug for my Wild Wales / Cymru Wyllt  calendar, now (2012) in its eighth year of publication. At 330mm x 245mm in size (opening to double), thick card cover and quality paper inside, and twelve seasonal image by me, it really is fantastic value at £6.50 (inc p&p in UK). An ideal Christmas gift, especially if you love Wales, or good nature photography wherever it might be found!

To order direct visit www.wildwalespostcards.co.uk ,  or phone me on 01970 828164 to arrange the purchase.

STOP PRESS – BUY NOW AT ONLY £5.00 PER COPY (INCLUDING POSTAGE)

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