You may have heard about Happisburgh…..

If you follow environment issues in the media you’ll probably have noticed that this Norfolk village is currently the go-to location for items about sea-level rise and coastal erosion. Like other communities on the East Anglian coast it has been threatened by the sea for hundreds of years. Some – like the nearby Whimpwell and the better-known Dunwich – have long since disappeared beneath the waves. Jane and I had booked a week’s holiday in the Norfolk Broads for the first week in May, and I noticed that Happisburgh was only a few miles away. I thought the village might provide some interesting subject matter for the photographer.

I had no idea what to expect visually other than the “Road Closed” sign that features in all the media. Arriving late in the morning I clambered across a pile of earth blocking an old field gateway to reach the cliff top. Directly below me a flock of sand martins were excitedly excavating nesting burrows in the sandy escarpment facing the sea. They barely noticed me at all and only made themselves scarce when a kestrel cruised by. This photo-op felt like a real bonus; the only drawback being the strong and distracting shadows of the birds created by the sun beating down from a clear blue sky. The sand martins were frantically landing and taking off again; you could see tiny showers of sand falling from burrow entrances, and a close examination of the photographs shows a pattern of scrape marks made by their claws on the cliff-face.

By the time I got down to the beach it was about 1pm. and the sun was high in the sky, creating some very harsh light: definitely not the time of day for the landscape photographer to be at work! All sorts of debris lay on the sand; bits of tarmac complete with double-yellow lines, a manhole with the cover missing, sections of brick wall and reinforced concrete. Electric cables trailed from the cliff top and pipework stuck out at strange angles. A brick septic tank was perched precariously close to the cliff top. And it all looked rather disappointing in the unforgiving light.

But a short distance further on – wow! Here were the skeletons of sea defences and two large rectangular concrete blocks resting on metal girders that emerged from the sand. I had no idea what they were but they looked bizarre; and wispy cirrus clouds in a deep blue sky added to the surreal nature of the scene. Normally successful landscape photography requires shadows to help give a three-dimensional quality to a scene. But here the almost complete lack of them seemed to add to the dreamlike quality of my surroundings. It was a one day in a hundred day.

Returning to the village I had a chat with the ladies at the “Sarnies by the Sea” sandwich shack. I said I had heard of Happisburgh for all the wrong reasons, but how did they feel? One said that she felt very bitter that the authorities were happy to let her village fall into the sea “like all the others”. This was the reaction of most of those I talked to, and you have to sympathise with them. One resident’s house had been valued in 2008 at less than the cost of a loaf of bread. Another villager explained that the concrete blocks are the foundations for a metal staircase which ran from the cliff-top down to the beach. It opened in 2003. The extraordinary speed with which the coastline is retreating, and the very low-lying nature of its hinterland, explains why official policy for this stretch of coast is “managed retreat”.

Unfortunately by this time the sand martins were nowhere to be seen. Perhaps nest-burrowing is a morning only job for them? I did find their activities illuminating, though. If a fragile creature like a sand martin can burrow into the cliffs using only their tiny claws what chance does the land have against such a formidable opponent, fuelled by climate change, as the North Sea?

NB : For more details about Happisburgh and coastal erosion there see the comprehensive Village website.

/http://happisburgh.org.uk/

The photograph on its homepage is worth studying. I’m not sure when it was taken but since then the caravan site on the far left-hand side has been relocated completely and I estimate that land equivalent to the outermost three rows of caravans has now disappeared.

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As seen on Springwatch…..

Swallow’s nest (with flash)

Last week we hurtled down to Pembrokeshire in the heat. Jane had an event to attend in Haverforwest and I wanted to do some bird photography in the Marloes area. We had an evening boat trip lined up too, which took us into the bays on the north and south coasts of Skomer Island amongst all the seabirds.

I headed out with my long lens on Wednesday morning and spent some time around the Deer Park. There were two family parties of chough in the area and a group of adult non-breeders. After a couple of hours I headed back to Lockley Lodge for some coffee, and then into the nearby Marine Nature Reserve building with its illuminated displays and pilot whale skeleton. The main attraction for me here was the swallow’s nest built into the eye socket of the skull, which had earlier been featured on Springwatch. I was delighted to find four large, bouncing, baby swallows being fed frequently by their parents, despite regular interruptions by human visitors. There was another swallow’s nest in the ladies toilets next door, apparently, and I had previously seen a couple in the gents; so I guess this particular pair was more discerning than some of the others……

Adult leaving swallows’ nest (no flash).

Unless the doorway was almost blocked the adults took no notice of people at all; and with the nest at little more than head height this was an opportunity not to be missed. I set up the tripod in the corner of the room and attached the camera and long lens. But boy, was it dark! Even at 3200 ASA I was exposing at slower than 1/100th second. It would be nice to think that I could capture the young gaping excitedly (but without moving) on the nest while the adult hovered artistically beside them with food but it just wasn’t going to happen. Time for Plan B.

Flash.

I never use flash. I don’t have a flash gun and my 5d3 definitely doesn’t have one built in. Maybe the 6d (back in the van) had a built in flash? It was worth a try; but no joy. Then there was the little Panasonic GX7 which I carry around with me when I can. Yessss! I was in luck. After a long time fiddling around with menus I finally worked out how to use it. You press the button and the flash pops up. Surely it can’t be that easy…..?

With the 5D3 and other SLR’s (I imagine) you press the shutter and keep pressing – the result being a burst of images which capture the action at up to 12 frames a second – although the 5d3 is rated at 6 fps and seems slower than that. With the GX7 it’s one frame at a time; that is, in this situation, one frame each time the parent brought food for the young. Fortunately the feeding visits were coming thick and fast and I never had long to wait. I wouldn’t say I’m totally happy about any of the results, however. Technically those with flash are much better, but I didn’t quite get the composition right on any of them. Those without might be artistically more pleasing but those conditions were really was pushing the camera beyond its limits, even one as capable as a 5D3. It was difficult to process any of the images to any meaningful extent without degrading the image even further into unusability.

Nevertheless it was lovely just to watch the young begging enthusiastically for food, and the adults bringing it in so fearlessly. I love swallows and it is a source of sadness that they no longer nest in our garden shed.

 

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