I think it is now safe to announce that one of my images has been Highly Commended in the Coastal and Marine section of the 2015 BWPA competition. It will thus be appearing in the exhibition and book.
One might query whether this constitutes wildlife at all; the trees have been dead for about 5,000 years! But it is still a fantastically wild place in the right conditions, even if the sand has long ago returned and the tree stumps been hidden again.
For more information on the submerged forest and my experiences taking the photograph, please click here.
A few weeks ago I wrote about the submerged forest which had been exposed by January storms between Borth and Ynyslas – see this post. Since then I’ve been back several times in different conditions, with mixed results. I’ve been plagued by camera shake problems using a ten-stop ND filter. On one visit, during the middle of the day, I came away with virtually no useable images at all, even with exposures of just a few seconds. I decided to forget about the filter and rely on natural light (or the lack of it) to create the conditions I was looking for.
My intention had anyway been to capture waves moving through the tree stumps at sunset. Until the sun dropped below the horizon light levels were still too high, but after sunset conditions became almost perfect. On a recent visit I eventually found a photogenic-looking arrangement of stumps, set the camera on the tripod and waited. For a period of just a few minutes the incoming tide washed in and out through the stumps before covering them completely. Sunset colours in the western sky formed the backdrop. Having found “the moment” it was actually quite easy to make the images. I chatted to a fellow photographer, breaking off to press the shutter button every now and again as waves came in and receded! I returned home with dozens of almost identical images to wade through, however, and so far I’ve only processed a few of them. It hadn’t been a particularly intense sunset so I’ve processed them quite hard to give them a little more impact. I’m quite pleased with the results.
The beach seems to be returning to normal slowly but steadily. The upper part of the very distinctive tree stump pictured in my first post is still visible but sand is building up around it. There’s no sign of the rather remarkable peat cutting shown in the second picture, which must have been filled in with sand. Perhaps within a few months there will be no sign at all of what the winter storms of 2014 left behind.
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The recent storms along the west coast of Wales have exposed a large expanse of peat between Borth and Ynyslas, dotted with numerous tree stumps. Depending on the distribution of the sand, this submerged forest is visible there to some extent in most winters, but this year it is something else. Judging by tide lines on groynes, sand to a depth of two feet has been shifted completely from a two-mile long section of beach. It is difficult to conceive of the sheer volume of material involved. Or where it has gone!
The trees have been dated to between 3500 to 5500 years before present and consist of pine, alder, oak and birch. Their root systems tend to extend horizontally – as can easily be seen in situ – and this is typical of fen woodlands with a high water table. It is known that in prehistoric times sea levels rose to inundate this coastal woodland. The submerged forest has been reasonably well documented, so I’ll leave interested parties to investigate further for themselves (for example here ). What seems to be lacking is any mention of human activities associated with it. While most stumps look broken and worn as if naturally created, it can clearly be seen in the top photograph that a tree has been felled at stump level using a saw. Probably not that long ago then…… Elsewhere there are quite clear signs of peat cutting, presumably for fuel (see lower picture). How long ago this was done I would love to know.
Photographically speaking I found the submerged forest rather a challenge. I’m getting used to a new L-bracket/tripod head combination at the moment, so what was until recently second nature no longer is. I knew what I wanted – water flowing amongst tree stumps at sunset – but my technique tends to get a bit rusty over the winter (see this post). I would need exposures of five or ten seconds and only the use of a heavy neutral density filter would achieve this. With just one exception all the exposures on my first visit suffered badly from camera shake. Time for a rethink! I’ve never bothered with a filter holder but using multiple filters really does call for one. I was, on occasion, stacking a polariser and a screw-in 10-stop ND, topped off with a 2-stop ND grad held against the rim of a telephoto zoom lens! Not ideal at all. But given that I don’t actually possess a filter holder, on my second and third visits I tried to eliminate all other sources of wobble. Short zoom only, two-second timer, then ten second timer. More wobble. Then I noticed that the lens IS was switched on. Could that be the source of the problem? Hopefully my next visit will be more fruitful.
Camera shake was not a problem on shorter exposures – up to two seconds, for example. My third visit – yesterday – was on a cracking sunny afternoon with little wind to ruffle the pools of water gathered in depressions in the peat, and a pleasant sunset. It took me some time to get to grips with some rather chaotic subject matter, and I don’t think I’m there yet. In some ways I found little arrangements of rounded rocks more photogenic than the tree stumps. One thing I could do nothing about was the fact that at low tide the waves were breaking beyond the forest, lower down the beach. I would need to be there on a falling or rising tide to get the pictures I have in my mind’s eye. Oh, and the sun would be setting. It should be easy!
So it is work in progress at the moment, but there seems to be little likelihood of the submerged forest disappearing in the near future. I’ll be down at the beach again tomorrow afternoon if the sun is shining, and while I’m there I’ll know that I’m walking through history.
Edit: The top photo here was Highly Commended in the British Wildlife Photography Awards in 2015.
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