Carpets of knot (part one).

A carpet of knot at Snettisham

It was still well before dawn. I had left my van and was searching for the footpath to the shoreline without a torch. Around me dark figures were emerging from vehicles, dimly lit car boots were open and people were hurriedly donning extra layers, rucksacks and waterproofs. The sensible ones had headtorches. I had a very dim memory of the carpark layout from my last visit, and realised I had walked past the exit. I turned round, pretended to know what I was doing and fell in behind a couple with a powerful torch.

I was on the west coast of Norfolk, at Snettisham, and had come to see one of the great wildlife spectacles in the UK. I visited twice in autumn 2013 whilst working on my Bird/land exhibition (see this link), and was last here in March 2016. Snettisham is on the eastern bank of The Wash, which is the winter home to many, many thousands of waders. At the highest of tides waders are pushed onshore and most gather at an old gravel pit, where the RSPB has constructed some hides. The rhythm of the tides is such that the highest waters are between 6am and 9am, or 6pm and 9pm, and in winter are without fail before dawn or after dusk. Therefore there’s a very limited number of “spectaculars” (as they are known) during daylight hours. It is well worth the effort to get there.

After half an hour’s walk a little grey light had begun to seep through the heavy cloud cover. Wader flocks were gathering offshore and beginning to fly into the gravel pits. It was a dazzling display as thousands of tiny birds flickered overhead in the gloom. I saw several photographers hurrying towards the hides at the southern end of the lagoon and decided I ought to follow them. The small wooden viewing “screen” has room on a bench for about eight people and it was standing room only by the time I squeezed in. At one point photographers were three deep!

It has to be said that conditions were not ideal. Thanks to their small sensor m43 cameras struggle at medium/high ISO’s and I don’t trust my Olympus kit at ISO’s higher than 1600. Even though many images at that ISO rating can be rescued by software such as Topaz Denoise, some just can’t. It was still very gloomy and shutter speeds were far longer than I had hoped for. In the case of the example above exposure was 1/60th at f8 – which, at an effective focal length of 500 mm, is really pushing it. However when this particular flock flew I kept my finger on the shutter button and made a series of images which – when fully processed – will be impressionistic and “interesting”; traditional bird photographers won’t like them at all.

Once the action was over I took a quick look at the new “observatory” – the word hide really doesn’t do it justice. It’s a huge, glass-fronted structure with stepped seating inside, rather like a theatre auditorium. And what a show! Low down to one side an area of the front wall has been reserved for photographers. Holes have been provided through which they can poke their lenses but they are very close to ground level; although mats have been provided it’s an uncomfortable position to work from. Has this been over-thought, I wonder? But full credit to the RSPB for providing such a facility which, to be honest, absolutely anyone can use, member or not.

Following high tide the birds return to the higher mud flats and roost until their feeding grounds become available. As I walked back to the car park I vowed to return the following day when better light was forecast.

NB : A timetable for next year’s “Whirling Wader Spectaculars” can be found here.

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2 thoughts on “Carpets of knot (part one).

  1. The photos are fabulous – lovely contrast between the knot and the oystercatchers. We do get knot up at the little island I go to off the coast here, not in as spectacular numbers, but you do see them flying around the lighthouse in formation.

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