I made a very hesitant transition from film to digital during the period 2006/7. Photoshop was THE digital processing software in those days so I coughed up my £400 and dived in. It was HORRIBLE. Photoshop was designed for graphics professionals, not photographers, and it really showed. 90% of the programme’s features were of no use whatsoever to me and basic digital adjustments were buried deep in incomprehensible menus. Then I heard about its new “sister” product – Lightroom – which WAS designed for photographers. This sounded much more promising and so it was – far more intuitive and user-friendly. So I’ve been a Lightroom user ever since and as the software developed so have my abilities to use it. That’s not to say that I don’t still occasionally find useful new features, but my processing is pretty streamlined by now, and I’m still learning.
Take the above image, for example. It was taken at Aberystwyth on a recent afternoon, with the aim of producing a new postcard over the winter for next year. Rainbows don’t come along that often so I took over fifty shots over the period of about twenty minutes that it was intermittently visible. Back home it took me maybe an hour to do a preliminary sort of the images, select the best and process them to a rough and ready standard. Then there was maybe another hour the following morning to delete the dross and duplicates, and put the finishing touches to the above and a few others. To get from the unprocessed file (below) to the finished product (above) involved a total of 65 small or tiny adjustments. That might sound like a lot but each one takes only a second or two. It is said that the RAW file is the equivalent to the film negative and the fully processed image the resulting print. As long as the latter bears more than a passing resemblance to the former, I’m happy.
What more could the digital photographer want? I have no desire to do major manipulations like swapping skies or removing large features from images, so have absolutely no need for Photoshop. There were complaints that Lightroom had become bloated and/or slow but it wasn’t a problem I had had to face. Everything seemed hunky-dory. The trouble was the software designers – Adobe – had other ideas, despite ever-increasing profits. “Stellar year-on-year growth” of 26% (latest figures) is not enough for them, nor is record revenue of $1.84 billion in the third quarter of 2017.
The rot set in with the introduction of Lightroom 5 in 2013. As well as being a standalone product available either on a DVD or a download from Adobe, it was also made available, along with Photoshop, as part of Adobe’s ‘Creative Cloud ‘, a subscription software service. At that time Adobe promised that future “versions” (note the plural) of Lightroom would be available “indefinitely” as standalone products. Lightroom 6 was introduced in 2015, available both as a standalone product and on subscription. It was difficult to find it on Adobe’s website, however, which was a sure sign of things to come. Furthermore, new features would only be added between ‘versions’ to those who enrolled in the subscription model, and so the arm-twisting began. As it happened even those who were on the subscription model felt cheesed off, because very few new features appeared during the 2 year plus lifetime of Lightroom 6.
Last month, after a long wait, Lightroom 7 arrived – or rather it didn’t, because it was now only available with Photoshop as part of the £9.98 per month Photography Plan. If you use Photoshop as well, this is a great deal, but if not, Lightoom alone would now cost just less than £240 over a typical two-year product cycle. Updating from LR6 to LR 7 , if it were possible, would cost about £65, if history is anything to go by. But that is not all, and this is so confusing that I’m not sure that I have got my head around it yet. Lightroom is now called Lightroom Classic, and appears to be an afterthought on the Adobe website. A new programme, a development of Lightroom Mobile, designed, it appears, for those taking photographs with tablets and mobile phones and with many major features missing, is now called Lightroom CC. The “Classic” name-tag Adobe have given the original programme has suggested to many people that it is on its way out, despite reassurances from Adobe that this is not the case. After the “indefinitely” promise of 2013, repeated (more or less) in 2015, who can believe a word that Adobe says?
And then there’s The Cloud, as in Lightroom CC – the Creative Cloud. Adobe’s latest big “thing” seems to be making your images accessible from any device, anywhere, but that relies on being able to upload them to the Cloud on a fast and reliable internet connection. Mine is neither. If you do, Adobe can then, of course, charge you (handsomely, no doubt) for storing them on their servers. Cloud storage is included in one or more of their new subscription plans, but it is already more expensive, apparently, than is available elsewhere. But Hell, think of the shareholders!
As I mentioned above, a subscription to Photoshop and Lightroom “Classic” together at £9.98 per month seems like a good deal, bearing in mind that before it became subscription-only Photoshop cost £600+. For Lightroom only, though, it is a non -starter. If it were £5 p.m., I’d be thinking about it. But once you sign up, Adobe have you by the short-and-curlies. If you stop your payments, for whatever reason (price increase, anyone?), the develop module becomes inoperable. You can revert back to Lightroom 6, if you have it, but you lose access to all the edits you have made in “Classic”, because its catalogue is not compatible with Lightroom 6.
What might one conclude from all of this? Firstly, that Lightroom is a brilliant product which many people entirely rely on for their photographic processing. Adobe now realises that only a limited number of new features can be added to it and that users will not necessarily upgrade to each new version as it appears. They foresee that it may be difficult to maintain (and increase) their profits and have moved to the subscription model to enable this. And they are using various “enticements” to keep users paying good money for what is, largely, old rope. There is, apparently, already a very viable and affordable Photoshop alternative called Affinity Photo. Other software designers will, I am sure, be aware of the sense of dissatisfaction that Lightroom users are feeling. They can now be sure that there will be a ready market for an alternative to Lightroom and we can but hope that this will spur them on to produce it. .
So what is the way forward for users such as myself? I have upgraded to the final update of the standalone software – v6.13. It is missing a few features that are now available in “Classic” but I can live without them. They have said that it will continue to be available until the end of 2017. I will continue to use it for the foreseeable future and if I upgrade my camera (I do like the look of the Nikon D850………!) its compatibility with Lightroom 6 will be a major factor. In the meantime I will keep my ear to the ground for new software and hope that in the next year or two a solution will become available.
Edit: It now appears there will be a LR6.14 update before the end of the year.
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